The Eye of The doll’s l is the title of Irina Ionesco’s autobiographical book The doll’s .
The fascination it gives off is due to the fact that it is written in the third person, that all the real names are substitut by other fictional ones The doll.
without the reader having to deal with a novel The doll . Irina watches herself live throughout the book, and makes us participate in her gaze which at the same time interprets.
Hearing the words of her mother’s lover announcing the embarkation for a distant country and the absence of the latter, “At these words, vertigo invades Isa and kills a part of her forever. The little girl will grow up in the gaping cavity that has just been dug in the center of her body” [2] . And again “Now, she screams. She has been abandon. She has lost all mirror. Irreversible The doll .”
Add to this The doll’s will be the equally
The doll’s eye is the green eyes of this mother, young, beautiful, impassive, who will be absent for many years, fourteen, for a distant country. And later, the eyes of Isa/Irina’s schoolteacher will take over. But it is also this porcelain phone number list doll offer by the father, or this dancer who look like her. For the young girl, the illnesses that swarm in this deadly “cavity” of the child’s body follow one another: nasal hemorrhages that drain her of blood in Romania, the native country where she spent the first years of her life, tetany fever, malnutrition during the war, then pleurisy, and incessant anxiety and nightmares.
During adolescence, while attending cabaret shows, a subjective turnaround occurs, and consequently a “reversal” of the symptom the best google forms alternatives by the choice of her profession. “Her true culture would be the sense of the body”. Isa/Irina, having become a young woman, will thus domesticate this “cavity”. [3]
First through the discipline of dance “Her body nes life. These daily exercises bring her well-being” [4] . Then as an acrobatic horsewoman, “In a few hours, she will once again be that focal point, a horsewoman with a sculptural body
Then at nineteen, as a contortionist
evolving with two boas accompanying her contortions. “Isa became a woman show [….] The woman with snakes”. Then as an acrobat again. As the author says, “it is thanks to this discipline of the body, that she ensur a malaysia numbers list balance to her wandering” [6] .
The atmosphere produc at this time by the Freudian discovery irrigates the story from start to finish. We are in the first half of the twentieth century, Isa/Irina meets a dancer philosopher.
She will also become the living target of a knife thrower who will leave her to go finish his studies in psychoanalysis in Argentina. Then she bonds with a professional revolutionary. She travels the world.
